There’s instructive theory on how to start creating something that can be counted as a jazz solo (probably in a hard bop style) - where to start, tips and tricks, how to grow. It’s “craft”.
And then there’s analysis of what the famous jazz musicians with many years of experience really make their solos of. It’s “research”.
Because, surprisingly, after you learn some basic advice like “use pentatonics” or “use call-response” or “use licks”, once you look at real solo transcriptions, you’ll get lost, confused and intimidated as to “what’s really going on” and “how to make sense of it all”.
Also, look at Jazz solo visualizations and solo rawls
🎥 Stijn Wauters. Jazz Piano Practice Session - Major II V I & Turn Around Licks - Introduction into solo building strategies
Charlie Parker Omnibook (wiki) - pattern explorer by Jazzomat, progressions analyzed by mDecks, Thomas Owens’s thesis, Henry Martin’s paper
Wynton Marsalis Omnibook has an intro article describing his solo language, maybe other omnibooks also do that



A modern context for Impro-visor and generated solos: Brian A. Miller, 2020
Seven volumes of Jerry Bergonzi (starting with “Melodic Structures”) to gradually build up your solo language from tiniest parts exploiting all scales and note permutations. Trailers, website


Mark Sabatella. A Jazz Improvisation Primer - An online course from a developer of MuseScore
Dariusz Terefenko. Jazz Theory - Has three chapters of solo analyses: “Confirmation”, “Moose the Mooche”, “Line up”
Ю. Маркин. Школа джазовой импровизации
В. Романенко. “Учись импровизировать”, “Импровизация в популярной песне” и другие
Books by Bert Ligon, eg. “Connecting Chords with Linear Harmony”
John Mehegan, Jazz Improvisation in four volumes, proceeding historically
David Liebman. How to Approach Standards Chromatically

Rabon Michael Bewley. Tell Me a Story: A Multi-Model Analysis of Select Lester Young Solos
