study-music

Jazz solo

There’s instructive theory on how to start creating something that can be counted as a jazz solo (probably in a hard bop style) - where to start, tips and tricks, how to grow. It’s “craft”.

And then there’s analysis of what the famous jazz musicians with many years of experience really make their solos of. It’s “research”.

Because, surprisingly, after you learn some basic advice like “use pentatonics” or “use call-response” or “use licks”, once you look at real solo transcriptions, you’ll get lost, confused and intimidated as to “what’s really going on” and “how to make sense of it all”.

Also, look at Jazz solo visualizations and solo rawls

Craft

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Research

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More

  1. David Baker (also Jazz Arrangement)
  2. Patterns for Jazz (similar to Jerry Bergonzi?)
  3. Jamey Aebersold (130 volumes?)
  4. Jerry Coker
  5. https://www.jeffcoffin.com/ctd
  6. David Kahn Feurzeig. Making the Right Mistakes: James P. Johnson, Thelonious Monk, and the Trickster Aesthetic
  7. McCoy Tyner https://taju.uniarts.fi/bitstream/handle/10024/6819/302684_Sami_Linna_McCoyTynerModalJazzandtheDominantChord_verkkoversio.pdf?sequence=1&isAllowed=y
  8. Lester Young https://digitalcommons.liberty.edu/cgi/viewcontent.cgi?article=5097&=&context=doctoral&=
  9. Stefan C. Love. “Possible Paths”: Schemata of Phrasing and Melody in Charlie Parker’s Blues
  10. https://mtosmt.org/issues/mto.20.26.3/mto.20.26.3.miller.html
  11. https://www.mtosmt.org/issues/mto.19.25.3/mto.19.25.3.michaelsen.html